{"id":11057,"date":"2023-04-05T15:33:07","date_gmt":"2023-04-05T12:33:07","guid":{"rendered":"https:\/\/athensjazz.gr\/?page_id=11057"},"modified":"2023-04-06T16:18:12","modified_gmt":"2023-04-06T13:18:12","slug":"woody-black-4","status":"publish","type":"page","link":"https:\/\/athensjazz.gr\/en\/woody-black-4\/","title":{"rendered":"Woody Black 4"},"content":{"rendered":"
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Woody Black 4 (Austria)<\/span><\/h2>\n\n\t\t<\/div>\n\t<\/div>\n
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Daniel Mosser (bass clarinet), Leonhard Skorupa (bass clarinet), Stephan Dickbauer (clarinet), Oscar Antoli (clarinet, bass clarinet)<\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Even if, in modern jazz, we may encounter various combinations of instruments, four clarinets \u2013 three of which are bass! \u2013 is something unusual. So is the Woody Black 4\u2019s approach to practicing jazz. The four clarinetists draw from its tradition, having mainly as a role model the bass clarinet pioneer, Eric Dolphy, but at same time staying close to the folk music \u2013 those of Central Europe and of the Balkans in particular \u2013 or classical music. They usually lay themselves on the beauty and the harmony of jazz or classical music but also turn to the creative improvising dynamics. Woody Black 4, based at Vienna, is about four virtuosos clarinetists who are happy to experiment and flirt with the avant-garde whilst creating beautiful and mesmerizing music right from the modern jazz tradition.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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\"800x800_20180608_jazzfest_day5_thmarkou_009\"<\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div>
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\"800x800_20180608_jazzfest_day5_thmarkou_002\"<\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div>
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\"800x800_20180608_jazzfest_day5_thmarkou_003\"<\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"Woody Black 4 (\u0391\u03c5\u03c3\u03c4\u03c1\u03af\u03b1) Daniel Mosser (\u03bc\u03c0\u03ac\u03c3\u03bf \u03ba\u03bb\u03b1\u03c1\u03af\u03bd\u03bf), Leonhard Skorupa (\u03bc\u03c0\u03ac\u03c3\u03bf \u03ba\u03bb\u03b1\u03c1\u03af\u03bd\u03bf), Stephan Dickbauer (\u03ba\u03bb\u03b1\u03c1\u03b9\u03bd\u03ad\u03c4\u03bf), Oscar Antoli (\u03ba\u03bb\u03b1\u03c1\u03b9\u03bd\u03ad\u03c4\u03bf, \u03bc\u03c0\u03ac\u03c3\u03bf \u03ba\u03bb\u03b1\u03c1\u03af\u03bd\u03bf)...","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full-width.php","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_expiration-date-status":"","_expiration-date":0,"_expiration-date-type":"","_expiration-date-categories":[],"_expiration-date-options":[]},"acf":[],"_links":{"self":[{"href":"https:\/\/athensjazz.gr\/en\/wp-json\/wp\/v2\/pages\/11057"}],"collection":[{"href":"https:\/\/athensjazz.gr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/athensjazz.gr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/athensjazz.gr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/athensjazz.gr\/en\/wp-json\/wp\/v2\/comments?post=11057"}],"version-history":[{"count":2,"href":"https:\/\/athensjazz.gr\/en\/wp-json\/wp\/v2\/pages\/11057\/revisions"}],"predecessor-version":[{"id":11328,"href":"https:\/\/athensjazz.gr\/en\/wp-json\/wp\/v2\/pages\/11057\/revisions\/11328"}],"wp:attachment":[{"href":"https:\/\/athensjazz.gr\/en\/wp-json\/wp\/v2\/media?parent=11057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}